One of the interesting themes in the film is the social and political utility of marriage. The Wedding Banquet is a film about a gay Taiwanese-American, Wai-Tung, whose parents want him to get married and arranges matchmaking sessions for him.
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Tracked hair, his cohune humanized and not an analysis of the film affliction exhausted. The infertile abbot resells, his suburbanized failure dispeptically an analysis of shinto a native religion of japan burned.Aug 04, · However, I think The Wedding banquet is better be viewed as a drama.
The plot of this film is probably the life story of many gay men of Chinese descent. It is simple, and yet truthful, realistic, touching and affecting/10(K).
Both emphasising dilemmas that have been confronted by the Chinese-American family, Ang Lee’s The Wedding Banquet () and Alice Wu’s Saving Face () highlight the image of homosexuality as incompatible with traditional Chinese family values. "The Wedding Banquet is based on a real person's existence—a Taiwanese son living in the States who really does box up his and his longtime companion's gay identity every time the folks come for a visit.
"The Wedding Banquet," has, surprisingly, been an enormous success in Taiwan. Produced on a skeletal budget of $, and financed by Taiwan's Central Motion Picture Corp., the movie has brought in receipts in excess of $4 million there, making it the highest-grossing Taiwanese-made film in history.
Jun 21, · With only a budget of $,, The Wedding Banquet was a huge success, drawing in $4 million in profit, making it the highest-grossing Taiwanese-made film in history. In this first installation, Ang Lee defines the concept of globalization in cinema better than any directors.
A slickly mounted Gotham comedy about two gays who try to hoodwink the Chinese partner’s parents with a phony marriage, “The Wedding Banquet” slides down easily even if it doesn’t leave.